ZZ is a multidisciplinary designer based in Kuala Lumpur. Educated in Graphic Design & Advertising, his roots lie in branding, but his practice refuses to remain confined to a single discipline. His work has since shifted toward the development of highly functional and technical apparel through TRAJECT idle/idō, where every design is engineered with intent. More recently, he co-founded FULCRUM with a collective of like minded creators, crafting wearable, “weapon” like accessories that challenge conventional notions of utility. His practice is driven by the pursuit of thoughtfully designed products, whether in fashion, accessories, furniture, or any medium that invites creative exploration.

CC (Lim Chun Ciew) is a graphic designer & also a creator that’s currently based in Kuala Lumpur, Malaysia. CC began his journey of creating with multiple forms & expressions such graphics, branding, art/creative directing, fashion styling & many more in digital or physical form. Nothing describes him better than 1 word, create. That’s all he does, all the time.

W. Rajaie is an artist exploring materiality and metaphysics through his practice. Rooted in regional cultural heritage, his work engages primordial materials and their intrinsic energies. Known for distinctive forms and materials, his art evokes metaphysical dimensions and unseen forces shaping reality and experience.

FULCRUM is an accessory brand founded by four like-minded creatives (Hoi Mun, Gavin, Jayson & ZZ) from different disciplines, with a focus on creating brutalist, weapon-like wearable objects. At FULCRUM, we believe all things balanced are not made equal. Balance is only achieved when opposite extremes work in tandem. The elusive nature of balance spurs us on to paths never taken. FULCRUM is the culmination of possibilities of both what is and what will be.

ΛSTRIΛ represents an ambitious endeavour that aims to dissolve the boundaries between art, technology and function to create objects that resonate with both the eye and the hand. Aesthetics - functionality - sustainability - geometric simplicity - spaces and objects that continuously dialogue with humans and their needs. This five-fold approach is what we always try to inform our creations. Engineered design is the brand's mantra. The aesthetic focuses on honest materiality. Form serves and reveals without ornamentation. Central to this approach is interpretive design. Objects function as frameworks rather than prescribed solutions. The result is design as conversation - between material and maker, object and user, rational and intuitive. This philosophy has found form across a series of exhibitions and collaborative platforms. ΛSTRIΛ's work was first presented as part of SONDER by LAB Society, followed by CANVAS UNBOUND by LabPireesuperstudio and NEW BEGINNINGS by LAB Society x September 18th. The brand went on to host its own open studio in collaboration with TETRA, before joining SOLACE 2026 by the Rejuv Collective and, most recently, A SERIOUS PLAYGROUND hosted at MāluM art space. Alongside its exhibition history, ΛSTRIΛ's work has been featured in a number of publications, including The Edit Magazine, Fang Magazine, Products Design, and L'Essenziale Studio.

花火木人 A study of material, form, and space. Fuafo is an independent design and woodworking practice built around the art of making. From individual objects to integrated spatial elements, each work explores the balance between material honesty, functional purpose, and quiet expression. Not simply made to fill a space, but to become part of it.

Tep York or TY is a multidisciplinary creative based in Kuala Lumpur whose practice is directed by an urban sensibility. He works across various mediums and his creative influences range from sources in the modern and contemporary era. However, they remain rooted within his experiences and observations on the streets of Kuala Lumpur. He was also the founder and creative director of QUIT., a Kuala Lumpur based skateboard company, and Kuala Lumpur Ceria (prev: What is Kuala Lumpur), an ongoing art project in the form of an Instagram page that curated user-submitted images and videos of Kuala Lumpur from 2020 – 2024.

Edmund Li is a visual artist and designer crafting bold brand identities, pop graphic layouts, and character illustration. Exploring everything from monsters and fantasy creatures to clean, structured graphic art.

Akari is a curated toy store located in Kuala Lumpur’s GMBB creative hub, specializing in rare pop-culture memorabilia and designer toys. The store serves as a dedicated sanctuary for collectors and art enthusiasts, bridging the gap between vintage nostalgia and modern craftsmanship. Driven by a commitment to fostering a community centered around artistic expression, Akari Store supports the preservation of unique toy subcultures. Whether catering to experienced collectors seeking exclusive pieces or visitors exploring Malaysia’s contemporary creative scene, Akari Store provides a refined, welcoming environment to discover exceptional vintage and art toys.

K3@N (Tan Ji Kean) is a Malaysian new media and visual artist exploring the relationship between technology, digital culture, and physical space. His work spans interactive installations, projection mapping, digital media, and object design, often drawing from machine aesthetics, urban environments, and speculative futures. By moving between digital and physical mediums, K3@N creates works that function as both visual experiences and cultural artifacts, bridging contemporary art with design and everyday objects. His works have been presented through installations and projection mapping showcases, including A4 Art Fair 2025 and Warung Terang at the Kuala Lumpur Festival, with multiple installations and projection-based works exhibited across public, cultural, and commercial spaces.

I wake up every day looking forward to what art I'll be making that day. I love exploring the entire spectrum of visual solutions. Designing and illustrating are two respectively different disciplines, despite the similar foundations they both share. I graduated in Digital Animation, but fell in love with illustration and graphic design. So, upon graduation in 2006, I started working immediately as a Concept Artist/Animator. Concept art, which walks the fine line between Design and Illustration, has been my main discipline ever since. When I started freelancing six years ago, I was fortunate enough to work with some very notable clients such as RIOT GAMES, SIDESHOW COLLECTIBLES, BLUR STUDIO, BUNGIE, ILLUSORIUM, and a few more. I provide character design, environment, prop, vehicle, and illustration work to my clients, mostly, and I love all aspects of it. On days between projects, I work on my personal projects in Illustration and Design. For example, recently I've been working on a small art project which, I guess, can be considered an IP about a group of Thunder Cloud characters called KUMORIMONS.

Silas Oo (b. 1996) is a multidisciplinary artist based in Kuala Lumpur who specialises in ink drawing and sculpture. The themes of his work explore the human psyche and existential conditions, with a tendency to fixate on death. His works often blend surrealist fantasy with sci-fi retrofuturism, aesthetic sensibilities that he picked up on from childhood influences and pop and alternative culture. Oo graduated from The One Academy, Kuala Lumpur, in 2017 and won the Bronze prize in the UOB Painting of the Year Award (Emerging) in 2018. He has exhibited extensively in group exhibitions, with notable recent shows including Immersio by Filamen (2024, GMBB, KL), and Ways of Seeing (2024, CULT Gallery, KL), From 2024–25, he was an artist in resident at Hin Bus Depot, Penang, which resulted in 余 Oo: A Post-Residency Showcase in 2025. In the same year, he collaborated with local fashion label Huntilanak on a capsule collection for KL Fashion Week. Recently he exhibited his first formal solo exhibition, Roadkill at The Backroom KL.

@lonewolfandclub is a world-building project by Cardin, where astral entities take form through sculptures, objects, furniture, and 3D-printed collectibles. Fusing astral guardians, alien technology, and mystical totems, each work exists as a fragment of an interconnected mythology that explores spiritual evolution, human connection, and personal transformation through a mythic sci-fi lens.

Celine is a Kuala Lumpur-based interior designer [BRNK studio], whose creative practice extends beyond spaces into objects and sculptural forms. Driven by curiosity and experimentation, her work explores the relationship between form, function and perception. Through materials, shapes and light, she translates abstract ideas into tangible objects.

@jun.obj (U Jun Wai) is a Kuala Lumpur–based 3D artist and designer that works across 3D animation, product visualization, and digital-to-physical creative work for brands, studios, and independent projects. He is the co-founder of @duskform.world, an independent creative studio and original IP-driven design brand, alongside @surlyhumanoid (Joshua). Drawing inspiration from nostalgia, DUSKFORM creates wearable art, accessories, sculptures, and designer toys while developing an original world expressed through its evolving characters, objects, and narratives.

Yoki Ng is a music artist, composer, and model from Kuala Lumpur, Malaysia. Drawn to the spaces between emotion, memory, and imagination, she creates immersive worlds where feelings are given room to breathe. Her multidisciplinary practice spans original music - including her debut album Liminal Garden (2025), film scoring, self-directed music videos, craft-based art, and modelling. Yoki began her musical journey in 2010 as a classically trained chromatic harmonica performer and earned her Diploma in Music in 2018. She has since collaborated with artists, filmmakers, and creative teams across Malaysia and internationally. Her work has been featured at Kuala Lumpur Fashion Week 2025, and her film scores have accompanied award-winning and internationally nominated films. Blending cinematic and experimental composition with intimate storytelling, Yoki creates works that exist between the seen and the felt, inviting audiences into quiet dreamlike spaces.